Cartago BORDADO under Colombian sun

Photograph: /www.bordadosdecartago.com/

Cartago, Colombia – Cartago, in the department of Valle del Cauca, is undoubtedly one of the world’s prolific embroidery cradles. This Colombian area about 180 miles southwest from the capital city of Bogotá, exemplifies the rural simplicity, beauty, and fun rhythm of Colombia. The town is known nationally and internationally for its excellent embroidered textiles and apparel by artists who are true maestros of thread and needle.

Embroidery in the Valle del Cauca has developed from generation to generation to the point of making it a much appreciated regional tradition. Entire families in Cartago are devoted to this craft, dividing design and embroidery tasks among family members who embellish blouses, skirts, headbands, ruanas (poncho-like coats), guayaberas (traditional tropical shirts), bed and table linens, and more.

History of Cartago Embroidery– Spanish conquistadors brought the first hand-embroidered items to Cartago—a city they founded in 1540.

Hand embroidery became an institution since 1890 when the Vincentine sisters began to teach it in the school they ran. At the beginning, in colonial times, Spanish women were responsible for continuing the art of embroidery. Later on, mestizo women adopted the tradition and established small family enterprises that gradually obtained national and international acknowledgement and fame.

Characteristics of “Cartagüeno”

(carta/weh/no) Hand Embroidery

Cartago embroidery uses the floral and geometric design that characterizes Andalusian embroidery.

Four basic stitches are prominent: flat, crossed, looped, and knotted. Almost a hundred stitches are derived from the above, among which the best known are: cross stitch, stem stitch, cord stitch, relief stitch, flat-pass stitch, sand stitch, double Bastille, crow’s foot stitch, arrow stitch, star stitch, and angel stitch, among others.

Lately, natural materials from the Colombian flora—mainly banana leaf fibers and fique sisal (a xerophytic monocot native to the Andean regions of Colombia) are being added to traditional embroidery and have become fashionable in the textile industry.

I leave you with this fun Colombian cumbia video of Cartago so you can chair dance!

—Silvia Piza-Tandlich, translation

6th WTA Biennial: Program

6th International Biennial of Contemporary Textile Art

World Textile Art – Air

Mexico, May 16 –June 3, 2011

The first Biennial event will be in Xalapa, a culture-oriented university town known as the “Veracruzan Athens,” sponsored by the Veracruzan University of Xalapa. In addition, the cities of Mexico DF and Oaxaca will also gather textile art creation, research, popular expression, management, and design personalities from all over the world.

INAUGURATIONS:

International Congress, “Considerations Between Textiles and Society: A Recapitulation”. May 16-19, offers 40 conferences from 28 nations, and five theme tables. Venue: Xalapa Anthropology Museum, May 16 at 7:00pm.

• Mexico DF exhibits: Museum Diego Rivera-Anahucalli, May 26 at 7:00pm.

• Oaxaca exhibits: Centro de las Artes de San Agustín (CaSa), May 28 at noon.

The program includes the following shows: Salon Mini-textiles . Salon Art Object. Salon Large Format. Salon Recyclability In Textile Art, and Salon Collaborative Nets. In addition, the list of parallel shows and workshops is extensive.

Hicks: A Life In Textile

It is a great honor to have Sheila Hicks—pioneer of contemporary textile art—as special artist at the Museum of Anthropology. Her exhibit, “A Life In Textiles” will pay homage to this important artist, who started 50 years ago and still continues to guide the direction of new artists. Hicks has very strong ties with South America since it was our tradition that attracted her to textiles. There is no doubt that Mexico made an impression as well, compelling her to live here for a while near the workshop she created. Mexico is where she had her first exhibit, and among her favorite techniques is the huipil chamula from the Chiapas area.

WTA is creating the Sheila Hicks award, Pioneer In Textile Work, which will be presented for the first time at the closing ceremony in Xalapa.

See the article about Sheila Hicks in American Craft Council Magazine:

Itinerant Artist: Sheila Hicks
Textiles legend Sheila Hicks has never stopped traveling the world and seeking new horizons in her work.

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The entire Biennial program can be found at www.wta–online.org

For more information: wta.aire.mexico@gmail.com

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The exhibitions comprise

Large Format Salon: work by Ana Mazzoni, Argentina

a surprising number of renown LatinAmerican artists. I am posting a couple of “pre-show” works now, and promise to share more photographs as I receive them.

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Invitation: Exhibition “Thread To Thread” (Hilo a hilo), contemporary textile art from Spain.

Thread To Thread

Large Format Salon. Ariane Garnier, Costa Rica. "The Draft". Galvanized wire, embroidery on rubber and mosquito net. 150 x 100 x 100cm.

Beatriz Oggero: Colored Transparencies. Copper wire wrapped with sewing thread. Large Format Salon. 6th WTA Biennial of Contemporary Art.

—Silvia Piza-Tandlich

6th WTA Biennial: Going to Oaxaca?

My work will be displayed at the 6th WTA Biennial’s Salon for Recyclability In Textile Art in Oaxaca, Mexico as of May 28!!!

Silvia Piza-Tandlich: Molecular Composition. Recycled afghan, fused plastic, papel picado, crochet. 2011, Salon For Recyclability In Textile Art, Oaxaca. Photo: Martha Alvarez.

Aside from the obvious thrill of chatting with artists and meeting new people, Oaxaca will feature Carolyn Kallenborn’s premiere of her documentary, Woven Lives, at the Oaxaca Textile Museum on June 2nd, which I really wanted to see.

Unfortunately, making the trip from Costa Rica to Mexico is expensive, and as my husband’s voice of reason sadly tells me what I already know, he also proposes to find “ways to fill the void.”  He’s right!

DVD cover for Woven Lives

While nothing could fill the void of not attending our own exhibit’s inauguration, so it happens that Carolyn Kallenborn does have the film on DVD for sale, and I have already requested a copy.

It also occurs to me that Carolyn has to fly herself all the way to Oaxaca at whatever price airlines charge, and then fly to the SDA Conference where she’s also giving a lecture and showing the film. I therefore, urge everyone to buy the film, and I know we won’t regret it: It’s made in very good taste, contains a lot of valuable information, and the proceeds will help Carolyn continue this type of important research. Last week I posted the film’s trailer, and I’ve seen photographs of Carolyn’s life with this Zapotec textile community in Oaxaca. This film is must-see, must-have! You can go to her website and use the payment options available

Or you can go to Oaxaca and see the exhibits at the Casa de Arte de San Agustín (CaSa) as well as the Oaxaca Textile Museum film premiere. If you go, please take lots of photos and share them with me!

—Silvia Piza-Tandlich

Greetings from Grace!

Grace Kawall, Myth&Religion, quilted painting

Grace Kawall at work

Grace Kawall is a multi-talented Brazilean textile artist living in Ubatuba, from where she spreads cheer around the world. She has had over 40 exhibits in the U.S. and other countries.

Her enthusiasm and intensity are contagious not only in her exuberant textile paintings—which she hand quilts—but in her beautiful home and landscape as well.

She will be visiting NYC soon, but in the meantime she sends the customary “big hug” (typical LatinAmerican style greeting), to all of us.

Um grande abraço, Grace!

Grace's works at Café Piu Piu in São Paulo

You can see more of Grace’s works in video form: www.youtube.com/watch?v=HZCuUa5aFuE

and at Grace’s site: http://ceciliakawall.ifp3.com/2/a5975

—Silvia Piza-Tandlich